Postal
The work selected as the postcard image for the exhibition ” Dwelling on the wall ” is a piece of an ink on paper made. As in almost all parts of the exhibition different techniques converge in the work.
5 Comments
The work selected as the postcard image for the exhibition ” Dwelling on the wall ” is a piece of an ink on paper made. As in almost all parts of the exhibition different techniques converge in the work.
5 Comments
Hi Veronica:
I have seen this work published today in El Comercio, in an article that spoke of your work and I found very suggestive. I do not know its size and even if part of a major piece, but what little I see and I find it very attractive to me “alerted” to closely follow your path as far as possible. Where I can see your work?.
Thanks
Thanks Joseph for your words. The piece in the newspaper is a piece of a work on paper, is formatted 39 x 14 cm . On this page I'll hang some works, in all, but I will inform the future exhibition projects to see the show live. Yesterday, 26 end of my last show with the most recent work but I'm working on new projects. I hope you can see something very soon. A greeting.
Veronica:
I'm sorry I missed the exhibition. Like I said, I'm looking for the next. I love watercolor and ink, and I think that while not a technical fashion, remains valid in all its aspects. The artist's hand, join mischief water makes itself, resulting in a highly suggestive work, as is the case with what little I've seen your page. We encourage you to continue on your way from creating a solid technical, because I'm pretty tired of seeing the work of people take to the “big game” without even knowing what a shotgun..
!Surely you know what I mean
I do not know if this page has brought the wind, but I feel a warm breeze on his face that makes me close my eyes and smell the sky after the rain…
I understand perfectly…without a technical background is quite complicated to get to the canvas or the blank. What remains as true has little to do with fads, That is the time. In creating a feel perfectly when connected with the deepest that is in a, and the end I think others also will come. Thanks and best regards.
Feed, more than I'd like to finish assessing the work of an artist that interests me, is to see it in the solitude of his study facing the creative act without perceiving my presence. Para mí, would “voyeurism” raised to its highest expression (in the etymological sense…). Therefore, I have asked about the size of this book. Thus, I could have imagined a powerful and spontaneous gesture like a madman Egon Shindler any beautiful spring afternoon of Viennese, on the contrary, thoughtful and quietly resting on a board as many days would the soft light rushing Vermeer Dutch. Now, I think these nearer the second than the first, but, I do not know, I might confuse…
In any case, Your work exudes a kind of perpetual peace, stormy skies even draw or winter landscapes and has, además, another feature that makes it attractive: although the weather is always present, chronological gone and everything floats somewhere without coordinates defined…